Helmed by Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in UK and Irish cinemas from 17 November.
